Himesh Reshammiya counts mostly on his musical score to make his films and attract audience. His latest, Teraa Surroor, is described as a ‘Lethal love story’, Earlier titled Guns N Roses, the film is a sequel of his 2007 movie, AapKaaSurroor.

In the earlier film, AapKaaSurroor, Himesh, a singer, is framed for a murder and jailed in Germany where he is for a music concert. If he does not prove his innocence in a day’s time, he loses his lady love. The only way he can do that is by breaking out of jail and finding the real culprit.

This time, in Teraa Surroor, Himesh changes roles. His girlfriend, Farah Karimaee, is arrested in Ireland and it is up to Himesh to prove her innocence.

Himesh is out partying and lures a dancer at the club to bed. Next, he walks into a hotel suite and shoots down a few drug dealers. Soon, like a good boy, he goes home and confesses to his girlfriend who he is slated to marry in a month’s time that he has strayed, that he slept with another woman!

Farah sulks and does not want to have anything to do with Himesh. Despite her wedding being a month away, she decides to go on a singing assignment to Ireland to celebrate India Day on an invitation by a Facebook friend! Farah’s mother, Shernaz Patel, is fond of Himesh and wants the duo to talk over things and end their differences. But, Farah wants a break and proceeds to Ireland.

When Farah lands in Ireland, she is asked to proceed to the hotel by her Facebook friend as he could not reach the airport to receive her. While she is on her way, her cab is surrounded by cops. She is found to be carrying contraband drugs. Arrested, she is tried and promptly sentenced to jail. When asked if she would like to inform anybody back home, she asks Himesh be informed. She also learns the hard way that the host country does not celebrate anything like India Day!

Himesh is on mission now. He has to get his fiancée out of jail and find the culprit who planted the drugs on her. Farah’s lawyer, Monica Dogra, informs him that there is no way she can come out without completing her term. The only way to bring her out seems to be jailbreak. There are experts on just about everything and Himesh finds the expert on jailbreaks, Naseeruddin Shah, who has fled from various jails as many as 14 times!

Meanwhile, Kabir Bedi, the police chief here, and Shekhar Kapur, the Indian Ambassador in Ireland, both old chums, are busy doing their bit.

Shah makes up a plan to spring Farah out of jail and Himesh follows it to the T; Farah is out and the entire Irish police force is after them. Both make it safely to a port from where they would be helped to reach India. But, Himesh has a job to complete. He asks Farah to wait for him and returns to settle scores with the man who framed Farah.

Teraa Surroor suffers from a patchy script. There are so many glitches and contradictions which are jarring. The director, Shawn Arrahna, concentrates more on scenic visuals and finesse rather than flaws in the content. Though he manages to keep the first part taut, the film meanders post interval. Not to deny that the attention to locations makes the film a visual delight. Though some of the songs are rehashed by Himesh from his earlier film, all six songs in the film are tuneful.

Himesh has grown a six-pack and muscles and even bares given an opportunity. Otherwise, he carries a single look throughout. Guns speak louder than muscles in this film. Farah’s role is limited mainly to looking forlorn in a jail cell when not appearing in flashbacks in songs. Shekhar, Shah and Bedi just add some face value to the roaster, their roles being limited.

Teraa Surroor has not had an expected opening response and its hope lies on the weekend.

Producers: T Series, HR Musik.

Director: Shawn Arranha.

Cast: Himesh Reshammiya, Farah Karimaee, Shekhar Kapur, Naseeruddin Shah, Kabir Bedi, Monica Dogra, Shernaz Patel.

Global Baba…One more baba!

As the media started exposing the misdeeds of various babas with huge following, they found a new breed of followers, the filmmakers. The reason being, the exploits of these babas offer a filmmaker a fair bit of scope for comedies.

Abhimnayu Singh is a sharpshooter killing his targets at whim. He is the henchman of a local woman politician because of which no cop dare to touch him. Now, police, led by Ravi Kishan, has arrested Singh. Kishan is leading him towards deep woods on the pretext of wanting a leak. The purpose is to kill him and make it look like an encounter. Singh knows he is trapped and, as a sort of last wish, wants to know who dared order his kill. He learns that his death has been ordered by the same woman politician he did all the dirty work for.

Singh uses the same ploy of wanting to relieve himself and, in the process, tries to escape. But, the full police force is after him and he is shot in the back by Kishan. Singh falls into a rapid and assumed dead by the police. But, in Hindi films, whoever is shot and falls in to a river or sea, never dies.

Singh emerges on the other side of the river where some aghori baba removes a bullet from his back with his bare hands. He was seemingly shot thrice but removing one bullet somehow brings him back to life. He has surfaced in some holy town on the banks of a holy river.

On the run, Singh comes across one of his own taporis, PankajTripathi, who now poses as a maunee baba. He chose to be so because he had a problem with his speech. Tripathi sells a grand plan to Singh and that is to turn into a baba. There are all kind of babas so standing across a shop, Global Hair Cutting Saloon, the name is decided. Singh will become Global Baba with a feigned global following.

Soon enough, GB has earned name, fame and an unprecedented following. You don’t see any global followers but the politicians of all hue and cry line up at his ashram, built on a grabbed land. Baba has become all powerful, blackmails politicians and even swings arms deals. Politicians seek his favours because he can create a communal riot on whim, can turn public opinion against any politician.

No baba vs. politicians film is complete without a media person involved, better still if the person happens to be a female. So there is Sandeepa Dhar, a TV reporter working for the channel owned by home minister, Akhilendra Mishra, who plants her at the Singh’s ashram. Finally, Kishan realizes that Singh survived the bullets and has become Global Baba now.

Just about everything in this film is routine, oft seen in this kind of films which springs up time and again. Here, what keeps the film alive to an extent is the thrill angle. Sadly, that interest factor is killed in the climax when the makers decide to keep the end open. May be it is an ambition of a sequel or make an intellectual point, this is lame. No justice for the villain, no dhishoomdhishoom; you know the villain so now go home. But, villain is known to the viewer from frame one!

There is not much to say about technical aspects of the film. However, there are a few performances worth a mention. Of the cast, Tripathi excels. Singh manages to look appropriately sinister. Tripathi is very good. Kishan has little scope. Sandeepa is fair. Sanjay Mishra is wasted.

Global Baba lacks face value to attract the audience.

Producers: Vijay Bansal, Priya Bansal.

Director: ManojSidheshwari Tiwari.

Cast: Abhimanyu Singh, PankajTripathi, Ravi Kishan, SandeepaDhar, Akhilendra Mishra, Sanjay Mishra.