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  • CableLabs certifies two DOCSIS* 1.1 modems and qualifies two CMTS

    In what is seen as an industry first, the US cable industry on 27 September awarded certification status to DOCSIS* 1

  • Hathway looks to operate from three headends in Mumbai in the long term

    Submitted by ITV Production on Oct 03

    Broadband may be a while coming to Indian shores but the big MSOs are all readying the backend for it. Rajan Raheja-promoted Hathway Cable & Datacom, which recently moved its main operational centre to a state-of-the-art headend in the central Mumbai suburb of Parel, plans to consolidate all its headends into three main ones over the next two years.
    Hathway earlier had 14 headends controlling operations, mainly in south Mumbai and along the western suburbs. With the Parel headend going onstream, two control rooms in Worli and Mahim have been disbanded, Praveen Shrikande, CTO, Hathway says. According to Shrikande, the whole process will take two to three years.

    Due to the geographical layout of Mumbai (it is a linear city), it is not possible for Hathway go the way of Bangalore, where it has consolidated with a fiber optic backbone into one headend. Earlier Bangalore had five headends.

    The headend is the data centre for all Internet operations in Mumbai for Hathway. All points are hooked up from here through five CMTSs (cable modem termination system). Depending on the scheme under which a client has joined up, Hathway offers 64-512 kbps bandwidth Navroz P Behramfram, head - technical support, says. Hathway supplies modems as per client requirements but all models are DOCSIS (Data Over Cable Services Interface Specifications) compatible, Behramfram says.

    Explaining the operational set-up, Behramfram says satellite signals (for their 92 channel feed) are captured through nine dishes using L band or intermediate frequency (IF) distribution to receiver / decoders. Each decoder transmits a single channel AV and each channel is modulated and then mixed using the principle of frequency domain multiplexing. The objective here is to combine all the individual channel feeds. At the end of it all, a single optic fiber cable carries the feed out from the headend.

    Behramfram says the system that has been set up is structured in such a way that it is easy to trace which signal is going where and therefore in case of any problems, pinpointing the source is not difficult.

  • Hathway looks to operate from three headends in Mumbai in the long term

    Broadband may be a while coming to Indian shores but the big MSOs are all readying the backend for it.

  • Sony to air Disney series 'Honey, I Shrunk the Kids' from Sunday

    Submitted by ITV Production on Oct 02

    Honey, I Shrunk the Kids, from the Walt Disney stable, is all set to make its splash on Indian television on Sunday 7 October 2001 on Sony Entertainment Television.

    The 65 episodes of the one-hour family adventure syndicated television series is distributed by Buena Vista and will air on Sundays at 11:00 am.

    The series, which ran for three seasons in the West, is dubbed in two languages to suite Indian audiences and will be aired in Hindi and Tamil on the Sony and Sun TV channels respectively.

    Made in Calgary in 1997, the series picks up from the point where the franchise movies of the same name Honey, I Shrunk the Kids ends. The high adventure sci-fi series is aimed at the entire family and chronicles the escapades of the Szalinski family.


    Honey, I Shrunk the Kids

    Honey, I shrunk The Kids is the first non-animation series that Disney produced for television. In the US, the series ran for three seasons from September 97 to May 98, Sept 98 to 12 June 99 and Sept 99 to May 2000.

     

  • Sony to air Disney series 'Honey, I Shrunk the Kids' from Sunday

    Honey, I Shrunk the Kids, from the Walt Disney stable, is all set to make its splash on Indian television on Sunday 7

  • UTV hopes three new shows on Zee hit the mark

    Submitted by ITV Production on Oct 01

    It‘s not just Zee TV that has a lot riding on the new programming initiative that it instituted recently. Ronnie Screwvallah-promoted television production major United Television Ltd (UTV) has three of its shows in the Zee list and hopes they have the sort of impact that will take a bit of the spotlight away from Balaji Telefilms which presently has a lock on the hit lists.


    Choti Maa... Ek Anokha Bandhan

    All three new shows are key cogs in Zee‘s re-launch initiative and are already on air. Two shows in particular - Choti Maa Ek Anokha Bandhan (the remake of Chithi which smashed all TRP records on leading Tamil language channel Sun TV) and Sarhadein which has a storyline that is bound to raise conservative hackles (credit should go here to Sandeep Goyal, broadcasting CEO, Zee telefilms, who showed guts to accept and support the concept) - are very crucial to Zee as well as UTV. The third show Hip Hip Hurrray-II, sequel to the old hit series on Zee, will also be watched closely.

    Choti Maa ....is being jointly produced by Radaan Mediaworks - producers of the original Chithi as well as Koteshwaran (a Kaun Banega Crorepati clone) which went off air recently and UTV. When asked about arrangement between the two, Radaan‘s M R Mohan Ratha says: ‘We provide the creative inputs for the show, and they are looking after production.‘ The rights for the show however, will remain with Zee TV.

    Elaborating on the creative aspects, Ratha says the story is the same. We have adapted it for a Hindi-speaking audience. Queried as to why the serial had a "look" similar to South Indian films Roja or Virasaat, he explains that we have taken care in all respects that the show is for North Indian audience, so in every respect the creative have been made suitable to suit the environment. "We are shooting in the village of Pandharpur in south Maharashtra." According to Ratha, the Roja like look is a result of the high quality production. "We are treating it like a film, there is no compromise on the quality."

    The crew has already completed shooting for the first 30 episodes. As for the competition, the serial is pitted against Kkusum on Sony which has steadily been gaining ground on the ratings charts and the Amitabh Bachchan-hosted Kaun Banega Crorepati on Star Plus. While the enthusiasm for KBC has been flagging it is the Balaji-produced ‘Kkusum‘ that stands in the way of Choti Maa‘ making a mark. "We are looking at TRPs of 5 within the next three months. That much time is required for the serial to make its impact," BS Radhakrishnan, director, Radaan, said.

    Vaishnavi, who plays the lead role in Choti Maa says: "I am making all efforts from my side to make this role a memorable one." Vaishnavi has had notable roles in Chingari on Zee and made a name for herself in the lead role of the hit serial Shaktimaan on national broadcaster Doordarshan‘s main channel.

    Sarhadein

    Sarhadein, set in Malaysia, is the story of an Indian girl who falls in love with a Pakistani boy. It is the story of hope and love and tries to draw on the essential similarities between the antagonistic neighbours. A radical plot line if one accepts the prevailing wisdom that the target audience of serials in India, is the upper middle class, upper caste north Indian housewife, 25-30 years old from the Hindi heartland. Though most programming heads would shy away from such a politically incorrect definition, that about sums up the core audience that is being addressed.

    How Sarhadein will be received remains a question, especially at a time when jingoistic sentiments are at an all-time high and macho chest beating "patriotic" offerings like the Zee-produced Gaddar has smashed many a box office record.

    Associate creative director Neeraj Naik is extremely positive that his show will work and says he deliberately chose a script off the beaten track. For the time slot it airs (11:00 pm) Sarhadein is doing very well thank you, he asserts. It is averaging 1.5 TRPs, he says and he firmly believes it will have an impact. Be that as it may, the fact remains that the 11:00 pm slot means it is 9:30 in the Gulf region, and 10:00 pm in Pakistan - prime time in those territories.

    Provided that Naik can keep the story from falling between two stools in trying to cater to everybody, the success or otherwise of Sarhadein should prove interesting watching.

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