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    Submitted by ITV Production on Jun 06, 2002

    Zee Telefilms‘ aggressive no holds barred campaign to convince advertisers and media planners that its shows Jeena Issi Ka Naam Hai (JIKNH) and Khelo Number Khelo are worth putting their money on, ratings be damned has raised rival Star India‘s hackles.

    In a campaign that kicked off on 29 May, Zee Telefilms took aim at rival Star India through an advertising campaign in the pink press - in an extremely aggressive play. The ad campaign builds a case for the two shows as big ticket items which the media fraternity should should ride, forgetting about the KBCs and the "Saas Bahu" sagas.

    Click image to view full size

    Zee of course is gung ho about the campaign. Today‘s edition of Hindu Businessline quoted Partha Sinha, vice-president (marketing), Zee Network, as saying: "We find it difficult to believe that anyone would want to watch something else like a chat show or an interview rather than watching the life of a celebrity. We want this programme to be part of one‘s daily conversation and are trying to convey the same to the advertising and marketing community."

    And this despite the fact that Khelo and Jeena have continued to have swinging ratings (both have flitted in and out of the top 100 rated shows in the last five weeks). Zee TV says in the ads that "saas bahu" soaps cannot sustain viewer interest for long now. Quoting in house statistics, it claims that approximately 7.6 million C & S households that own a Playwin Super Lotto ticket are a captive audience for Khelo, its game show produced by Miditech, that announces the online results midway through the show. With jackpots of over Rs 2 crore (Rs 20 million) and Rs 8.61 (Rs 86.1 million) crore being won in the last one month, the channel claims interest in the lottery as well as in the show has shot up.

    In fact, the entire campaign has got Star India COO‘s Sameer Nair‘s goose. Says Nair: "What data are they referring to when they are making the claims? You can‘t speak to 650 people and build up a popular barometer. Jeena or Khelo don‘t even figure in the Top 50 ratings. When a programme does well like our shows Kahaani Ghar Ghar Kii, Kyunki Saas and Kahin Kissi are doing, its characters become a part of the common culture, the language of the people...there is a buzz about them. I think the entire campaign is very silly. One can‘t forget that it was hardly two years ago that Zee TV was decrying game shows like KBC when it was doing well, saying that people want to watch soaps and series. Today, the wheel has turned full circle. They are saying that people don‘t want to watch saas bahu soaps and want to watch game shows like Khelo. Who are they kidding? It‘s not as if Zee TV‘s shows have set India on fire... To top it all, Zee TV is telling media planners not to put their client‘s money on soap sagas which have always worked? Which media planner would divert money from soaps to other shows based on doubtful data and research? "

    Jeena?too, the ads claim, commands a 45 per cent viewership (the episode featuring Laloo Prasad Yadav), with rival channels commanding corresponding figures of 27, 21 and eight per cent. Friday night viewing, claims the network is not for digesting celluloid domestic squabbles but for celeb talk that tugs at heartstrings.

    It is still unclear whether advertisers will bite the bait, though. Media planners, while admitting that Playwin has caught the fancy of the populace, are reluctant to say whether the success will translate into better ratings for the show.

    Initiative Media vice president Partha Ghosh says that viewers need not necessarily log on to a show, as the results would be available offline later. "You cannot necessarily convert the success of a product in the marketplace into a successful show", he opines. Whereas if you miss an episode of a soap like Kyunkii, you miss a vital link in the series, you do not miss much if you skip an episode of Khelo or Jeena, he adds. The ads, a product of Zee‘s creative agency Rediffusion DY & R, hit out straight at "saas bahu" serials that have cornered a vital share of viewers‘ imagination. Hinting that the ratings do not reflect the true picture, the ads say ?advertisers are still led to believe that people would much rather watch a creaky sob story than find out if they have won the kind of money that will have them laughing all the way to the bank."

    StarCom‘s Pradipto Nandy disagrees. "The campaign (to wean away advertisers from soaps to game shows) will not work as a long term strategy," he says. Besides, he points out, viewers need not stick to the channel for the entire duration of the show if they are merely interested in following the results of the online lottery, he points out.

  • Setindia.com all set to revive broadband initiative

    Submitted by ITV Production on Jun 06, 2002

    With a view to connecting further with viewers and strengthening its online community of users, Sony Entertainment is in the process of revamping www.setindia.com.
    Senior V-P IT and new media Sony Entertainment Television Anil Garg said that to give the site an increased feeling of interactivity, the broadband section, which has been in a state of slumber for quite a while, would be revived before the end of the month. Due to the attention being given to the look of setindia this part had thus far been overlooked, Garg said.

    Through virtual reality, viewers will be able to move around the set to get a feel of a particular show. The archive section lets people see clips of famous people who have appeared on a show on Sony. This section was discontinued after the talk show Movers and Shakers stopped airing on Sony last year, Garg said.

    One can also expect to see more games relating to serials appear on the site. However, watching programmes online, whether it is a cricket match or a serial is unlikely. Garg said there was the issue of transfer of rights to be considered in these matters. Referring to the serials, Garg pointed out that bandwidth requirement is too high. In India, where the flow of content is not smooth, streaming media will just not work, Garg said.

    The most recent online initiative that setindia.com undertook involved an online chat with Kutumb star Pradhan organised on Monday afternoon that drew 1,760 fans. Asked whether any other stars had been lined up for the immediate future, garg replied in the negative. However, he said that once the ICC cricket licled off on the channel, one could expect to chat with cricket stars like Kapil Dev (SET‘s brand ambassador for the next three year‘s for all cricket-related activity).

    Queried as to the size of the online community the site services, Garg said currently there are a half a million Setizens. One of the main reasons for the ongoing revamp was that the site was lagging behind the television channels in terms of look, colour and feel, Garg said. Now the colour of each site, whether Sony or Max, matches the colour on the tube. Among the other changes that have been incorporated are that visitors are greeted with a navigation guide that has been brought on top. So one can straight away visit the section of one‘s interest. Previously users found it difficult to find their way amid the clutter, Garg said.

    Sony Entertainment‘s head IT honcho Anil Garg.

    According to Garg the revamp started two to three months ago and the site is now dynamic and database driven. He pointed out that the site had been revamped four to five times in the last three years. Tools used in the latest redesign included ASP, Java script. The work was done entirely in-house by a four-member team so costs were minimal, Garg said.

    Regarding online initiatives to push programmes on the tube, Garg said microsites are designed every time a major programme initiative takes place on SET or MAX. Right now there is a microsite celebrating the Subhash Ghai film festival running on Max. In addition to plot synopsis and star bios, fans can also download attractive wallpaper, Garg said.

    Regarding how the site would promote cricket, he said that plans were still being formulated. Cricketainment a site that was active in 1999-2000, could be revived, he said. Alternately, a separate section on the Sony site might be created, he said.

    Queried whether his team had developed an ERP (enterprise resource planning) package for Sony Entertainment, Garg said that a 24-hour ERP system was in place which helps with both ad sales as well as subscription revenues.

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